Dead in a Week (Or Your Money Back)
William has failed to kill himself so many times that he outsources his suicide to aging assassin Leslie. But with the contract signed and death assured within a week (or his money back), William suddenly discovers reasons to live... However Leslie is under pressure from his boss to make sure the contract is completed.William has failed to kill himself so many times that he outsources his suicide to aging assassin Leslie. But with the contract signed and death assured within a week (or his money back), William suddenly discovers reasons to live... However...
September 12, 2018 · Directed by Tom Edmunds
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A simple estimate based mostly on pace, with small nudges for flow, payoff speed, and how much keeps happening. Rounded to the nearest 5 minutes.
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How it's told
- Pace. Slow burn or propulsive. How much patience the film asks of you.
- Complexity. Straightforward or demanding. Whether you can sink in, or have to keep up.
What it feels like
- Tone. Light or heavy. Whether it plays for fun or for weight.
- Emotionality. Restrained or openly emotional. How much it reaches for your feelings.
- Outlook. Bleak or hopeful. What it believes about people when it counts.
- Intensity. Gentle or provocative. How far it is willing to push you.
What it's grounded in
- Realism. Stylized or grounded. Whether it feels larger than life or plausibly real.
- Substance. Pure entertainment or ideas. Whether you want a ride or something to chew on.
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