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Fantomas

Fantomas

ComedyCrimeAdventure3.4

Fantômas is a man of many disguises. He uses maquillage as a weapon. He can impersonate anyone using an array of masks and can create endless confusion by constantly changing his appearance.Fantômas is a man of many disguises. He uses maquillage as a weapon. He can impersonate anyone using an array of masks and can create endless confusion by constantly changing his appearance.

November 4, 1964 · Directed by André Hunebelle

Your predicted score
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A simple estimate based mostly on pace, with small nudges for flow, payoff speed, and how much keeps happening. Rounded to the nearest 5 minutes.

Runtime1h 44m
→
Feels like1h 30m
↓ shorter
Where this movie sits
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How it's told

  • Pace. Slow burn or propulsive. How much patience the film asks of you.
  • Complexity. Straightforward or demanding. Whether you can sink in, or have to keep up.

What it feels like

  • Tone. Light or heavy. Whether it plays for fun or for weight.
  • Emotionality. Restrained or openly emotional. How much it reaches for your feelings.
  • Outlook. Bleak or hopeful. What it believes about people when it counts.
  • Intensity. Gentle or provocative. How far it is willing to push you.

What it's grounded in

  • Realism. Stylized or grounded. Whether it feels larger than life or plausibly real.
  • Substance. Pure entertainment or ideas. Whether you want a ride or something to chew on.
How it's told
Pace
Complexity
What it feels like
Tone
Emotionality
Outlook
Intensity
What it's grounded in
Realism
Substance

Cast & crew

Jean Marais
Fantômas / Fandor / Lord Shelton / Vieux gardien de la prison
Louis de Funès
Commissaire Juve
Mylène Demongeot
Hélène
Jacques Dynam
Inspecteur Bertrand
Robert Dalban
Directeur du journal
Marie-Hélène Arnaud
Lady Beltham
Anne-Marie Peysson
La speakrine
Christian Toma
Inspecteur Pierre
Michel Duplaix
Inspecteur Léon
Andrée Tainsy
Habilleuse
Hugues Wanner
M. Royer
Henri Attal
Homme de main de Fantômas

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