
I'm for the Hippopotamus
In 1950, in Africa. Tom organizes safaris for tourists, secretly equipping them with guns loaded with blanks. When Slim, Tom’s cousin—a sly slacker and staunch environmentalist—arrives, the two men come into conflict with Jack Ormond, a local animal trafficker. A doctor, a friend of the duo, denounces Mr. Ormond’s exploitation of animals in a newspaper, prompting Ormond to send his henchmen to destroy the clinic where the good doctor practices. But at the medical facility, Ormond’s henchmen find Tom and Slim waiting for them, and in the blink of an eye, the two cousins wipe out these thugs in a brawl. Ormond then tries to bribe the two cousins, and when that fails, has them imprisoned for a theft they never committed. After escaping from prison, the two men rush toward Ormond’s ship, beating the merchant’s men to a pulp...In 1950, in Africa. Tom organizes safaris for tourists, secretly equipping them with guns loaded with blanks. When Slim, Tom’s cousin—a sly slacker and staunch environmentalist—arrives, the two men come into conflict with Jack Ormond, a local...
November 30, 1979 · Directed by Italo Zingarelli
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A simple estimate based mostly on pace, with small nudges for flow, payoff speed, and how much keeps happening. Rounded to the nearest 5 minutes.
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How it's told
- Pace. Slow burn or propulsive. How much patience the film asks of you.
- Complexity. Straightforward or demanding. Whether you can sink in, or have to keep up.
What it feels like
- Tone. Light or heavy. Whether it plays for fun or for weight.
- Emotionality. Restrained or openly emotional. How much it reaches for your feelings.
- Outlook. Bleak or hopeful. What it believes about people when it counts.
- Intensity. Gentle or provocative. How far it is willing to push you.
What it's grounded in
- Realism. Stylized or grounded. Whether it feels larger than life or plausibly real.
- Substance. Pure entertainment or ideas. Whether you want a ride or something to chew on.
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