One Eight Seven
When a Brooklyn high school student writes the police code for homicide, 187, inside a textbook owned by teacher Trevor Garfield, Garfield feels threatened. The principal dismisses the incident, but the same student stabs Trevor soon after. Fifteen months later, a physically and emotionally scarred Trevor relocates to California and takes up substitute teaching. To his dismay, his new school is as full of dangerously undisciplined students as his old one—including four Latin Americans and a European American claiming membership in tagging gang K.O.S. (Kappin' Off Suckers)—driving him over the edge.When a Brooklyn high school student writes the police code for homicide, 187, inside a textbook owned by teacher Trevor Garfield, Garfield feels threatened. The principal dismisses the incident, but the same student stabs Trevor soon after....
July 29, 1997 · Directed by Kevin Reynolds
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A simple estimate based mostly on pace, with small nudges for flow, payoff speed, and how much keeps happening. Rounded to the nearest 5 minutes.
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How it's told
- Pace. Slow burn or propulsive. How much patience the film asks of you.
- Complexity. Straightforward or demanding. Whether you can sink in, or have to keep up.
What it feels like
- Tone. Light or heavy. Whether it plays for fun or for weight.
- Emotionality. Restrained or openly emotional. How much it reaches for your feelings.
- Outlook. Bleak or hopeful. What it believes about people when it counts.
- Intensity. Gentle or provocative. How far it is willing to push you.
What it's grounded in
- Realism. Stylized or grounded. Whether it feels larger than life or plausibly real.
- Substance. Pure entertainment or ideas. Whether you want a ride or something to chew on.
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