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Strangers on a Train
CrimeThrillerDrama3.8
A charming psychopath tries to coerce a tennis star into his theory that two strangers can commit the perfect crime by exchanging murders—each killing the other’s most-hated person.A charming psychopath tries to coerce a tennis star into his theory that two strangers can commit the perfect crime by exchanging murders—each killing the other’s most-hated person.
June 27, 1951 · Directed by Alfred Hitchcock
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A simple estimate based mostly on pace, with small nudges for flow, payoff speed, and how much keeps happening. Rounded to the nearest 5 minutes.
Runtime1h 41m
→Feels like1h 30m
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How it's told
- Pace. Slow burn or propulsive. How much patience the film asks of you.
- Complexity. Straightforward or demanding. Whether you can sink in, or have to keep up.
What it feels like
- Tone. Light or heavy. Whether it plays for fun or for weight.
- Emotionality. Restrained or openly emotional. How much it reaches for your feelings.
- Outlook. Bleak or hopeful. What it believes about people when it counts.
- Intensity. Gentle or provocative. How far it is willing to push you.
What it's grounded in
- Realism. Stylized or grounded. Whether it feels larger than life or plausibly real.
- Substance. Pure entertainment or ideas. Whether you want a ride or something to chew on.
How it's told
Pace
Complexity
What it feels like
Tone
Emotionality
Outlook
Intensity
What it's grounded in
Realism
Substance
Cast & crew

Farley Granger
Guy Haines

Ruth Roman
Anne Morton

Robert Walker
Bruno Antony

Leo G. Carroll
Senator Morton

Patricia Hitchcock
Barbara Morton

Kasey Rogers
Miriam Haines

Marion Lorne
Mrs. Antony

Jonathan Hale
Mr. Antony

Howard St. John
Captain Turley

John Brown
Prof. Collins

Norma Varden
Mrs. Cunningham

Robert Gist
Leslie Hennessey
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