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The Exorcist

The Exorcist

Horror3.1

Ophelia, a young nun recently arriving in the town of San Ramon, is forced to perform an exorcism on a pregnant woman in danger of dying. Just when she thinks her possession has ended, she discovers that the evil presence hasn't disappeared yet. The director of the award-winning Here Comes the Devil and Late Phases adds a new twist to possession movies in one of this year's Latin American horror surprises.Ophelia, a young nun recently arriving in the town of San Ramon, is forced to perform an exorcism on a pregnant woman in danger of dying. Just when she thinks her possession has ended, she discovers that the evil presence hasn't disappeared yet...

November 2, 2022 · Directed by Adrián García Bogliano

Your predicted score
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A simple estimate based mostly on pace, with small nudges for flow, payoff speed, and how much keeps happening. Rounded to the nearest 5 minutes.

Runtime1h 41m
Feels like1h 35m
↓ shorter
Where this movie sits
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How it's told

  • Pace. Slow burn or propulsive. How much patience the film asks of you.
  • Complexity. Straightforward or demanding. Whether you can sink in, or have to keep up.

What it feels like

  • Tone. Light or heavy. Whether it plays for fun or for weight.
  • Emotionality. Restrained or openly emotional. How much it reaches for your feelings.
  • Outlook. Bleak or hopeful. What it believes about people when it counts.
  • Intensity. Gentle or provocative. How far it is willing to push you.

What it's grounded in

  • Realism. Stylized or grounded. Whether it feels larger than life or plausibly real.
  • Substance. Pure entertainment or ideas. Whether you want a ride or something to chew on.
How it's told
Pace
Complexity
What it feels like
Tone
Emotionality
Outlook
Intensity
What it's grounded in
Realism
Substance

Cast & crew

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