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To Be or Not to Be
ComedyWarRomance3.9
During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.
March 6, 1942 · Directed by Ernst Lubitsch
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A simple estimate based mostly on pace, with small nudges for flow, payoff speed, and how much keeps happening. Rounded to the nearest 5 minutes.
Runtime1h 39m
→Feels like1h 25m
↓ shorterWhere this movie sits
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How it's told
- Pace. Slow burn or propulsive. How much patience the film asks of you.
- Complexity. Straightforward or demanding. Whether you can sink in, or have to keep up.
What it feels like
- Tone. Light or heavy. Whether it plays for fun or for weight.
- Emotionality. Restrained or openly emotional. How much it reaches for your feelings.
- Outlook. Bleak or hopeful. What it believes about people when it counts.
- Intensity. Gentle or provocative. How far it is willing to push you.
What it's grounded in
- Realism. Stylized or grounded. Whether it feels larger than life or plausibly real.
- Substance. Pure entertainment or ideas. Whether you want a ride or something to chew on.
How it's told
Pace
Complexity
What it feels like
Tone
Emotionality
Outlook
Intensity
What it's grounded in
Realism
Substance
Cast & crew
Carole Lombard
Maria Tura
Jack Benny
Joseph Tura
Robert Stack
Lieut. Stanislav Sobinski
Felix Bressart
Greenberg
Lionel Atwill
Rawitch
Stanley Ridges
Professor Alexander Siletsky
Sig Ruman
Col. Ehrhardt
Tom Dugan
Bronski
Charles Halton
Producer Dobosh
George Lynn
Actor-Adjutant
Henry Victor
Capt. Schultz
Maude Eburne
Anna
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