Unlawful Entry
Happily married Michael and Karen Carr call the police after Karen is held at knife point during a failed robbery attempt in their home. Before long, one of the responding officers, Officer Pete Davis, helps arrange the installation of a new security system, taking extra interest in the couple's case. As a result, the grateful Carrs invite him to stay for dinner and they strike up an unexpected friendship. However, as the lonely policeman develops an intense fixation on Karen, his take on friendship develops into a dangerous obsession soon becoming the Carrs' worst nightmare.Happily married Michael and Karen Carr call the police after Karen is held at knife point during a failed robbery attempt in their home. Before long, one of the responding officers, Officer Pete Davis, helps arrange the installation of a new...
June 26, 1992 · Directed by Jonathan Kaplan
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A simple estimate based mostly on pace, with small nudges for flow, payoff speed, and how much keeps happening. Rounded to the nearest 5 minutes.
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How it's told
- Pace. Slow burn or propulsive. How much patience the film asks of you.
- Complexity. Straightforward or demanding. Whether you can sink in, or have to keep up.
What it feels like
- Tone. Light or heavy. Whether it plays for fun or for weight.
- Emotionality. Restrained or openly emotional. How much it reaches for your feelings.
- Outlook. Bleak or hopeful. What it believes about people when it counts.
- Intensity. Gentle or provocative. How far it is willing to push you.
What it's grounded in
- Realism. Stylized or grounded. Whether it feels larger than life or plausibly real.
- Substance. Pure entertainment or ideas. Whether you want a ride or something to chew on.
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