
Alone in Berlin
Berlin in June of 1940. While Nazi propaganda celebrates the regime’s victory over France, a kitchen-cum-living room in Prenzlauer Berg is filled with grief. Anna and Otto Quangel’s son has been killed at the front. This working class couple had long believed in the ‘Führer’ and followed him willingly, but now they realise that his promises are nothing but lies and deceit. They begin writing postcards as a form of resistance and in a bid to raise awareness: Stop the war machine! Kill Hitler! Putting their lives at risk, they distribute these cards in the entrances of tenement buildings and in stairwells. But the SS and the Gestapo are soon onto them, and even their neighbours pose a threat.Berlin in June of 1940. While Nazi propaganda celebrates the regime’s victory over France, a kitchen-cum-living room in Prenzlauer Berg is filled with grief. Anna and Otto Quangel’s son has been killed at the front. This working class couple...
February 15, 2016 · Directed by Vincent Perez
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A simple estimate based mostly on pace, with small nudges for flow, payoff speed, and how much keeps happening. Rounded to the nearest 5 minutes.
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How it's told
- Pace. Slow burn or propulsive. How much patience the film asks of you.
- Complexity. Straightforward or demanding. Whether you can sink in, or have to keep up.
What it feels like
- Tone. Light or heavy. Whether it plays for fun or for weight.
- Emotionality. Restrained or openly emotional. How much it reaches for your feelings.
- Outlook. Bleak or hopeful. What it believes about people when it counts.
- Intensity. Gentle or provocative. How far it is willing to push you.
What it's grounded in
- Realism. Stylized or grounded. Whether it feels larger than life or plausibly real.
- Substance. Pure entertainment or ideas. Whether you want a ride or something to chew on.
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